Portrait de Genocide: A Political Statement

Sal Scolara, an esteemed professor emeritis from The University of Connecticut, wrote these thoughtful words about a mixed media piece created by Pedro Martin DeClet. It was exhibited by my gallery at the American Visionary Art Museum. This large, prestigious work, featured in the museum's catalogue, is available for sale at the gallery.
"Some artists, like Pedro Martin DeClet, have chosen to create political statements that suggest a new-found kinship with oppressed cultural groups and the positive and affirming act of presenting a political statement for the consideration of viewers. DeClet's Portrait de Genocide is a powerful media related work which chronicles the U.S. government's genocide of native American Indians. The artist has lain out a loose grid of some 50 photocopied images (the number corresponding to the number of states in our country) made from archival photographs of famous Indian chiefs and related imagery. Atop this strong, historical gallery of Indian history, the artist has painted a bold, blood-red graphic image suggestive of rock hieroglyphs found in Indian areas of the Southwest. This blood-red colored sign seems to be a target and a tribute, a marker of the passing of these great leaders. DeClet aligns himself with those that would remind us of these ugly scars upon our nation's history. Make no mistake -- it is not simply an artwork of rebellion one sees here, but a truth laid bare -- and some artists have traditionally used their art to comment on society and its ills. This is a positive act of growth and concern, a connecting to something greater that one's immediate situation."

Jail and Museum do not usually end up in the same sentence....

Pedro Martin DeClet has come a very long way since his stint as head of the Latin Kings gang in the CT prison system. His works are now on display in the American Visionary Art Museum's newest show, Life, Liberty & The Pursuit of Happiness, curated by Roger Manley. Declet's Portrait de Genocide honors past martyrs in both the American Indian and Hispanic culture and is a powerful work with it's bleeding pictograph placed center stage. In another room is a hand-made book filled with paintings and paperwork which reflect his disavowal of the infamous gang, along with an altered book, a cross sculpture and a canvas carrying bag sporting a self-portrait. There is also a construction called El Philosopher which is made up of a time clock together with time cards hand painted by the artist. Pedro Martin DeClet is a man who does not look back, but rather reflects on a positive future. I thank Roger Manley for having an open mind and including these important works in his stellar show. It will run for close to a year and is worth the visit to the Inner Harbor of Baltimore, where the AVAM sits like a dazzling crowning jewel.
Photos courtesy of Roger Manley, curator

Life, Liberty & the Pursuit of Happiness......AVAM